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This year’s Hengshan Calligraphy Biennale begins by reflecting on the contemporary tendency to view calligraphy mainly as a visual or formal art. Instead, it returns to the essence of calligraphy as an act of writing, and reexamines its many dimensions between daily life and artistic creation. By weaving together both “professional” and “non-professional” practices, the exhibition moves beyond technique- or style-based appreciation, inviting visitors to understand how calligraphy continues to grow, spread, and sustain its vitality across different contexts. Through a dialogue between past and present, the exhibition features works ranging from Wang Duo of the Ming dynasty, to Edo-period Japanese monks Hakuin Ekaku, Ryōkan, and Sengai Gibon, and extending to contemporary calligraphers, literati, artists, thinkers, writers, designers, and social advocates. The works span many forms—from traditional hanging scrolls, handscrolls, letters, and poetry drafts, to cross-disciplinary collaborations such as modern dance and film posters, and even calligraphy used as a medium for public engagement—revealing the diverse possibilities of calligraphy today. More than an exhibition, this Biennale is a cultural experiment. By placing professional and non-professional works, art and everyday writing, the classical and the contemporary side by side, it opens a space to reflect on the many possibilities of writing, and on calligraphy as a profound expression of being human.